Inside Melissa Hemsley's Victorian townhouse, where joy and comfort combine
‘I thought I heard you coming!’ yells the food writer and chef Melissa Hemsley from the front door as I approach her north London home. She is wrangling her beloved 12 year-old staffy, Nelly, and behind her a sunny yellow hallway and a perfect Victorian staircase spiral up and out of sight. She is, I quickly learn, a handful of days from giving birth and yet to start nesting. ‘We had House & Garden coming round! We can nest afterwards,’ she laughs. Melissa rushes around with offers of drinks, homemade granola, somewhere to sit and discussions of the weather (‘isn’t it wonderful that the sun is finally out!’). She is the personification of her uplifting hallway, and much like the house she shares with her partner, the art consultant Henry Relph, and their daughter Summer, she offers a very warm welcome.
Melissa became a household name in 2014 with the launch of the cookbook The Art of Eating Well, which she wrote with her sister Jasmine. The duo, known as Hemsley + Hemsley, were among the first to create recipes that focused on gut health, nutrient value and whole foods (we have the Hemsley sisters largely to thank for the arrival of spiralisers in our kitchens). Another bestseller followed in 2016 and shortly after that a Channel 4 TV series, Eating Well With Hemsley + Hemsley. The two have since forged their own paths, with Jasmine focussing on an ayurvedic approach to eating and Melissa spearheading a resistance to ultra-processed food (her most recent cookbook, Real Healthy offers nutrient-packed, approachable recipes and is one of The Sunday Times’ bestsellers).
Similar to her culinary ethos, which she describes as ‘feel-good and generous’, Melissa’s house is the kind of place where you go for lunch and leave long after dinner. This atmosphere is, in part, thanks to the house’s decoration, where bright colours, verdant patterns and squishy sofas combine to make deeply cheerful spaces. The skill lies in making such a look feel effortless, when in fact plenty of effort was required to pull it off.
‘I was desperate to live in the countryside but Henry convinced me to look at this house which, coincidentally, was opposite one I’d lived in for years in my twenties,’ says Melissa. When the couple visited in 2023, the kitchen was almost completely devoid of books, except for one: The Art of Eating Well was perched on the kitchen counter. ‘It was a sign!’ delights Melissa. This, combined with it being Patrick’s Day, gave Melissa the sense that the stars were aligning. She was quick to write to the owner, explaining this, and within a few months the couple were moving in.
Instead of fighting with the house's listed status, Henry and Melissa happily embraced the constraints that came with it. ‘I thought it would be really interesting to be led by how the house has been lived in for the last two hundred years. Living by the rules of the house, we couldn’t knock down walls or make any major changes to the layout,’ explains Henry, whose only real change was to turn the ground floor bedroom back into a sitting room, and to reinstate the room’s fireplace that had been covered with wardrobes by the previous owners. The kitchen-cum-dining room occupies the lower-ground of the house, with three bedrooms spread across two floors upstairs. ‘The kitchen in my last house was huge and full of light, and it was tempting to move this kitchen upstairs, but there is something about having a cosy kitchen which feels really right for this house,’ says Melissa.
Being an art consultant, Henry has an innate understanding of scale, colour and composition, and thus took charge of the decoration. ‘In my work I see a lot of white walls and blank spaces, which I love, but for the house I really wanted to make it a bit more cosy, and have more pattern and colour,’ says Henry, who deployed a kaleidoscope of Little Greene paints to satisfy this brief. In the kitchen, bright yellow cabinets ‘bring a bit of sunshine into the darkest part of the house,’ he says, while the dining space next door has been entirely covered in Common Room's ‘Lucky Leaf Clover’ wallpaper: ‘it felt like the right place to have something really bold,’ explains Melissa, adding that she ‘love[s] having foliage wallpaper everywhere: it is really important in the winter to have that connection with nature’.
The upstairs sitting room has received a similar treatment, with walls in William Morris’ ‘Willow Boughs’ wallpaper. Above it, the main bedroom plays host to blush-coloured walls and a bed swathed in a pretty pink Liberty print floral fabric from Coco and Wolf. ‘I never thought I’d be the guy with the pink flowery bedroom but I love it up here,’ says Henry. So charmed were the two by the pattern that they had a matching headboard made to complete the look.
In keeping with the sense of history offered by the house’s architecture, the pair have cultivated an impressive collection of antique (or antique-inspired) furniture and lighting. No doubt Henry’s well-trained eye and savvy instincts were essential for keeping costs down: the wall lights in the dining area and the hallways, for example, were fished out of a barrel at a Howe sample sale some years ago. ‘I didn’t need them at the time but they were such a good deal I knew I’d be able to use them eventually,’ he says. Brass accents including light switches from Forbes & Lomax contribute to the aged feel of the spaces. Other favourite pieces include a set of 17th-century Dutch delft tiles that the pair found at auction and which now make up the splash back in the kitchen, and Melissa's late father’s display cabinet which lives in in the couple's bathroom. ‘He used to store vintage toys in it. It’s survived a hell of a lot of moves and has only got better with age’, says Melissa.
‘You know when you are walking past a house on a dark evening and you can see that inside the lights are on and there are people having a good time?’ says Melissa. ‘That’s the kind of atmosphere I wanted to create here. I just want people to feel comfortable and at home.’ When I leave a few hours later, full-bellied, yet feeling the lightness that comes from a day of happy chatter, I think about the people who would have peeked in as they walked past. I am sure they would agree that Melissa and Henry have thoroughly pulled it off.























