The tiny, exquisite Holland Park apartment of Martin Brudnizki and Jonathan Brook

The designer renowned for his sumptuous, escapist interiors has created a deeply luxurious pied-à-terre out of a ‘shoebox’ of a flat in a Georgian terrace
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Marvic's ‘Misa Moiré Plain’ in the daisy colourway lines the walls of the sitting room. The Austrian blind is made up in Marvic's ‘Misa Moiré Stripe’, and the carpet is Pierre Frey's ‘Dao’ design in a custom colourway. A Murano chandelier hangs overhead.Dean Hearne
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Arabescato marble continues from the splashback onto the countertops.

Dean Hearne
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The kitchen walls are painted in Little Greene's ‘Middle Buff’, and the beading on the kitchen cabinets is picked out in ‘Light Gold’. The cabinet handles are from Beardmore and the wall light is from Visual Comfort.

Dean Hearne

There is a distinct theatricality to the decoration that will be familiar to those who know Martin’s work. A dramatically pelmeted curtain in the same moiré as the walls forms a divider between the kitchen and sitting room, without blocking the light from either. Plentiful trims and tassels – many of them from Martin’s new collection with passementerie specialists Samuel & Sons – can be found on the curtains, blinds, cushions and the chairs, while the edges of the fabric walls are double-piped with a striking knot detail in each corner. ‘I love a trim,’ he says. ‘It’s the thrill of the frill.’ Each piece of furniture has considerable personality, from the elegance of the tapestry sofa in Braquenie's ‘Lisieux’ to the plump curves terracotta bouclé armchair and matching footstool.

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Martin stands next to a charcoal portrait of the couple's whippet, Zenon, drawn by Polly James.

Dean Hearne

The main challenge in decorating the apartment came in laying out the small space to suit the way they intended to use it. ‘We were effectively downsizing,’ explains Jonathan. ‘We had a larger collection of furniture from the old flat which we had to curate and make work for a smaller space. It’s the kind of thing we often do for clients, so it was an interesting exercise because we were effectively becoming our own clients.’ The bedroom was large enough to accommodate the bed from Martin’s previous flat, a glossy blue sleigh bed he created as an homage to the Art Deco designer Paul Dupré-Lafon. The sitting room was a trickier proposition. ‘So often in London flats,’ says Jonathan, ‘the living area has to take on all these functions, as a sitting room and a dining room and a study, but rather than do that, we thought, “let’s just make a really nice sitting room.”’

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Martin and Jonathan already owned the sofa, which has been re-covered in Braquenié's ‘Lisieux’ jacquard.

Dean Hearne

Since they are only in London for work a couple of nights a week and eat out a lot, it didn’t make sense to go down the full multi-functional route, but instead they chose pieces of furniture that could serve different purposes from time to time. The main table in the middle of the room can be a hall table, a desk, or a dining table. There are upright Gothic Revival chairs that are comfortable enough to settle into for a cocktail, but which can also work as dining chairs, as well as a tallboy with a handy shelf that pulls out to be an extra surface on which to set a drink.

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The armchair and footstool, which were in Martin's old flat, are covered in Fadini Borghi's ‘Opio’ bouclé in pesca. The bottom of the chair is trimmed in Samuel & Sons' ‘Romaunt Beaded Cord’ – part of Martin's collection with the brand.

Dean Hearne

The other challenge was editing their considerable collection of pictures to suit the flat’s space and aesthetic. ‘Some of our pictures literally didn’t fit,’ explains Jonathan, ‘and some of them didn’t fit the narrative of the interior. That was the last 10% of the project that we had to keep tweaking.’ As with the rest of the decoration, it is a clever blend: 20th-century expressionist pieces with 18th-century landscapes, affordable pictures from flea markets – ‘I often buy something just for the frame,’ says Jonathan, with more precious works. A favourite is the charcoal drawing of the couple’s whippet, Zenon, which hangs next to the sofa. ‘Charcoal drawings tend to be quite small, but I like the scale of this one. It gives a moment of whiteness and blank space amidst the rich decoration.’

There is an immersive quality to the flat which is characteristic of Martin’s work. ‘The decoration does create a sense of escapism,’ says Jonathan. ‘At the end of a day in London when it’s raining outside, we can come here and escape into our own world – it’s very small but it’s our own.’

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