An Australian cottage that presents English country house style in glorious technicolour
The Australian interior designer Lisa Burdus is an unabashed Anglophile – at least when it comes to the art of decorating. ‘I love colour and I love that very English, layered look,’ she says. The houses that she designs are a testament to this. We are chatting over Zoom and she wiggles her fingers as though casting a spell: ‘I don’t know why, it just comes out of here like that.’
Take this 19th-century whaler’s cottage (‘very much my kind of architecture’, Lisa says) in North Sydney. The budget was not huge but, thrillingly for any designer, the client told her, ‘I want you to go to town with it – I want lots of colour and for it to be super comfortable. I’d like people to come here and just want to hang out.
There was not much structural work to be done apart from the removal of a few walls on the ground floor to allow for the creation of a self-contained storey that can be closed off from the rest of the house. This alteration took the house from three bedrooms to two, but means that the client, who lives on her own, has the option to rent the space through Airbnb. A smart decision, this was among the bold choices that have transformed the cottage into an invitingly joyful-looking home.
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A runner made from Sinclair Till’s ‘Peacock’ natural coir was the starting point for a colour story that sees each of the three floors being given its own distinct identity. The dining and sitting areas swapped places on the lower-ground floor, which is painted an appealing muddy shade of pink. Lisa likes these murky tones, which she finds work well both in daylight and at night. ‘The client didn’t immediately get it when I presented the ideas, but she trusted me,’ she recalls.
The existing kitchen units were kept and updated – the shiny white cupboard fronts replaced by Shaker-style ones painted either in the same muted pink or a vibrant shade of green. In the adjacent sitting area, a suzani-covered octagonal footstool stands on top of a Persian rug layered over some sisal. There are also pretty pleated lampshades, a burnished metal chandelier and woven cane furniture. It is an open-plan space decorated a bit like an English country cottage, on a street lined with jacaranda and palm trees. What’s not to like?
Green dominates the floor above – the one that can be cordoned off. Some of the walls are papered in Osborne & Little’s green ‘Chroma’ design, which has a slightly mottled surface. Its matt finish balances the sheen of the woodwork – including plenty of panelling – which is painted in a corresponding shade. Lisa chose a mustard colour to define the top floor, which is where the owner has her bedroom. Accents of red are provided by fabrics by the likes of Robert Kime and Susan Deliss. Lisa, a huge admirer of both, is Australia’s exclusive stockist of Susan’s textile designs.
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Despite business ‘going swimmingly’ in Australia, Lisa took a decision last year to up sticks and move to England. ‘I’ve raised five kids, I’m single and I had always thought that, when the youngest finishes school, I’m going to go and live somewhere else,’ she says. ‘It was a personal challenge in a way – to drop myself on the other side of the world where I don’t know anyone. To walk into a pub and just start talking to people.’
Although we have not yet had the chance to meet in person, it is clear that Lisa is one of life’s true bon vivants. In July, she found a cottage to rent in an Oxfordshire village. She knew no one in the area but, by September, she was posting (very stylish) pictures on Instagram captioned: ‘Michaelmas supper with new friends in England.’
While keeping her Sydney office open, she plans to develop a UK arm of her interior-design studio. Considering the timing of this life-changing decision and the challenges she will face, I tell her that I think she is brave – and even slightly bonkers. ‘I know,’ she says with a laugh. ‘We’ll see. It’s not that I’ve come here to take on the British decorating scene or anything.’ I suspect, however, that word of her arrival will soon get out. It will be interesting to see what happens then.
Lisa Burdus: lisaburdus.com. Lisa Burdus is a member of The List by House & Garden, our essential directory of design professionals. See the studio's profile here
Maree Homer1/11Lisa chose Dulux’s ‘Morocco’ paint for the textured walls.
Maree Homer2/11This shade of pink complements the owner’s Persian rug, vintage throws from The Cloth Shop and Kathryn Ireland’s ‘Safi Suzani’ linen in autumn on the custom-made ottoman. The ‘Banjo Sofas’ are from MCM House in Sydney
Maree Homer3/11The pink paint continues on the panelling and wall cupboards in the kitchen, part of the same open-plan space, while an island painted in Dulux’s ‘Green Gables’ offers a striking contrast. Emac and Lawton’s ‘Chelsea’ table lamp is paired with a pleated green silk shade from Samarkand Design.
Maree Homer4/11On the ground floor, walls papered in Osborne & Little’s ‘Chroma’ in the apple colourway match woodwork painted in ‘Purslane’ from Dulux. Peter Meyer’s ‘Urban Weave’ blinds tone with ‘Tuscan Casina’ sisal matting from International Floorcoverings. Two French armchairs from Palace Trader Antiques have been re-covered in ‘Mini Weave’ by Susan Deliss. The two cane chairs by the window were sourced in Morocco and painted red.
Maree Homer5/11The wallpaper is Soane’s ‘Scrolling Acanthus’ in sorolla red. Moroccan concrete tiles from Popham Design, in saffron and cream, are arranged in a chequerboard pattern. The ‘Hermitage Console’ vanity unit from Parisi is curtained with vintage fabric from The Cloth Shop.
Maree Homer6/11Layered textiles in this bedroom include curtains in Anaras from Namay Samay, a headboard in ‘Oldwick’ from Sister Parish, cushions in ‘Perseus’ from Classic Cloth and a custom-made quilt.
Maree Homer7/11Exterior Built in the 19th century, the cottage has a quintessentially Australian corrugated metal roof.
Maree Homer8/11Walls in Dulux’s ‘Alluvial Inca’ create a warm background for the vintage painting and armchair, and a potted fiddle-leaf fig tree.
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